Welcome back, boys and girls. Here we go with the next phase. Well, truth be told, going all the way to the end here.
When we last saw our paper, it was out of the book press and crisply folded. Each paper folded in half is called a folio. When you combine a number of them together, they are called a signature. We have 10 signatures in this book.
Next, I search through my stash of patterns to find one that has 10 signatures and is the right size for the spine of the book. Finding none, I have to make a new one.
The spine and covers are cut from Davey Board, which is thick cardboard, essentially.
Using the paper pattern I made, I punch holes in the spine with an awl. This is the tedious part of the process, as the board is thick and there are 80 holes to punch. Ouch. Can you say finger cramp?
The front and back covers, with the spine between them, are laid out on top of my chosen bookcloth and cut to size.
Using my handy PVA glue (polyvinyl acetate), I glue down the bookboard. I trim the cloth and fold it over the edges of the bookboard, sealing neatly.
The inside of the covers is lined with more bookcloth, again using the PVA. I think these colors are a nice combo.
Usually, I would cover the book first and then punch the holes in the spine, but this time, I experimented with punching the holes and THEN covering them. It was pretty easy to punch the holes in the spine when it wasn't covered with the cloth - and even easier to punch through the cloth alone. I might do this from now on.
Here is the finished book, showing the waxed linen thread stitched through the spine and holding the signatures in place.
I finished it off with a vintage bone button. I may add some bead later, so I left a tail hanging.
So, there you have it. Did I go too fast or skip some steps? No problem, because I am teaching this class at Zinnia in South Pasadena on July 14th. You can join us and I promise I will be much more specific on the directions - you can even take them home.
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